Euphoria

There certainly is a sense of euphoria that choral singers experience after a particularly inspiring rehearsal or performance. But part of that sensation is due to more than just individual physiology; it derives from the cooperative effort that is at the heart of the choral endeavor. The late great conductor Robert Shaw thought of a chorus as a “community of expression,” whose meaning “rests upon a common devotion to the composer’s utterance and a mutual respect for the personal dignity of fellow-workers.” Shaw’s associate, Ann Howard Jones enlarged on this idea. Noting that in a chorus the whole is far greater than the sum of its parts, she wrote, “I know of no other activity where access to the most profound artistic works can be made possible and satisfying for the participant who has limited skills as an individual but whose capacity is enlarged by the group.”